I’m finishing up the final proofs of my fifth book today, The Beader’s Guide to Jewelry Design.
An array of mixed feelings accompanies the end of creating a project this big. I’ve been working on it for over 2 years. I wrote it, shot most of the photography, designed it, illustrated it, and produced the files for the printer (did everything except the cover). The Beader’s Guide to Jewelry Design was a massive undertaking.
In reading the entire book for proofing I relived the 2-year process in fleeting flashbacks. I remembered where my life was when I began the illustrated tables for the “Jewelry and The Body” chapter. I remember the incident with my young nephew that inspired the beginning of the “Shape” chapter. He’s 2 years older now. I wonder if, when he gets older, he’ll be embarrassed by it. I thought back on who I was when I began the book… a different person than I am now.
I did something I’ve not done in previous books. I was more personal: I included more of my personal creative journey and vulnerability in the pages. I wanted the the reader to feel like I was sitting with them at the kitchen table having an excited discussion about design. Maybe over a glass of wine, with pen and paper in hand. When I read the book cover to cover yesterday I realized I had achieved that. I was thoroughly engaged in the text, even though I already know what it says. I enjoyed reading it. That’s what I want for the reader: not only to learn and be changed by the content, I want them to enjoy themselves.
When I finished my first book, Out On A Loom (self published), I was bouncing off the walls with excitement. The novelty of it being my First still colored my thoughts and emotions, even though it was 15 months in the making.
My second book, The Beader’s Guide to Color (Watson-Guptill), took over 4 years to create because most of it was written at night and on weekends. After shipping the final proofs I was shocked to find myself depressed and disoriented. I felt like my child left me. I’d known every minute detail of her life– every comma, every word, every picture, diagram, illustration and concept– intimately. When, a few weeks later, I couldn’t remember which page a particular photo appeared, I burst into tears realizing she was slipping further and further away. I felt like something so precious was gone forever. It was. The process of creating a book is the true joy if it. Not having done it. Holding a vision, creating it, and manifesting it in the very best way I can is one of my greatest joys in life.
Finishing Beading Her Image, my 3rd book (self-published), was different. When you self publish, the end isn’t as abrupt and final as sending proofs back to a publisher. You and the printer work back and forth through printing. You market like crazy, morning noon and night. (Actually, you market like crazy regardless of who publishes the book — if you want sell any copies.) Then you get busy clearing out space and stacking thousands of books in 25 – 30 lb boxes somewhere you’ll be able to reach them. And then, if you’ve done you’re marketing, you start packaging and shipping. You turn the music up very loud and you spend days and days packaging and shipping. And you wish you’d been doing more yoga and strength training the last 2 years.
My 4th, The Beader’s Color Palette (Watson-Guptill) was another 2+ year project and I was determined not to be depressed afterwards. Turns out I wasn’t. So much was going on in my life at the time that required focus. And since it was my 4th book, I knew the ropes. And since resources had been depleted in its creation, I got back to work that actually brought money into the bank account (creating a book costs time and money).
The process of creating a book becomes almost all-consuming for me. I love the intensity of focus. And I love it for long periods of time. I’m so fulfilled when I can plumb the depths of both my creativity and my medium, be it words, color, beads, or paint. Much of this latest book is about just that: plumbing the depths of creativity (in the form of jewelry design). The joy of becoming a master at one’s art. The passion and sheer joy of creation.
11 comments
Comments feed for this article
December 17, 2013 at 2:21 pm
Deborah Glasser
I’ll be ordering today.Can’t wait.
December 17, 2013 at 2:24 pm
colorforbeadartists
Thanks Deborah!
December 17, 2013 at 2:34 pm
Carol Dean Sharpe
I’m so excited for you! This promises to be a wonderful volume. 😀
December 17, 2013 at 4:52 pm
colorforbeadartists
Thanks Carol. Your pieces make a stunning layout in the color chapter!
December 17, 2013 at 2:49 pm
Marcy Lamberson
Congratulations to you Margie! You have worked so hard on it and having watched you create some of it, I know you put your entire heart and soul into it.
December 17, 2013 at 4:53 pm
colorforbeadartists
Marcy – you’re an important part of the book, too! When you get your copy (in June 2014) check out the color chapter and the “Jewelry and the Body” chapter.
June 16, 2014 at 10:18 am
annepeterson
Thanks for popping over and reading my piece on my dad. I stopped in by you. Loved the post explaining the journey of your writing and how you’ve changed with each book. I just finished launching my second book. The first book was really just an assignment and it was the second book that really took something out of me because of the content. Non fiction, memoir type. I do not have boxes stacked as you do and therefore they are not selling like they could. But I’m still learning.
May I ask you. Did you go through Create Space? I’m asking because this new project is children’s stories. And if I remember when you have a lot of illustrations it really would be expensive. I’m assuming with your type of book you have color illustrations. Hope you don’t mind the questions.
June 16, 2014 at 10:36 am
colorforbeadartists
HI Anne,
Thank you for stopping by! I appreciate it.
I have self-published 2 books and the other 3 were through large publishing houses. My self-published were books I did totally on my own, not through a place like Blurb or CreateSpace, even though I have worked with them, too.
It is more expensive to publish a book with illustrations. I am still working on this conundrum!! Let’s share what we learn, because I’m an illustrator and have lots of illustrated stories for adults I want to publish.
June 23, 2014 at 6:52 am
annepeterson
And my daughter is an artist and we’ve just created a book where I took her art and came up with a story for children. After trying it out on my grandchildren I think it’s a good one.
I’ll share anything I learn that might help you.
So did you create your self-published books in Word and then just post them on Amazon?
June 23, 2014 at 9:50 am
colorforbeadartists
Hi Anne,
I don’t use Word.
I design, wrote, and Illustrated my self-published books in Abode InDesign. I sold physical copies of them (am still selling them after 10 and 15 years). It was a very expensive venture, and successful.
I’ve not self-published on Amazon yet. Because everything I do is illustration (and diagram) rich, I’ve been waiting for the InDesign to enable me to have control over the exact placement of each word and illustration on the page for eBooks. The latest version of Adobe CC 2014 InDesign, allows us to make interactive EPUB books with live text—such as children’s books, cookbooks, travel books, and textbooks—that are rich with illustrations, photos, audio, or animations. Layout and design remain fixed no matter the screen size.
At present, with this version of InDesign, you can only sell in the Apple iBookstore. Soon, though, I’m sure they’ll make it so you can export fixed layouts for Kindle, and other online epublishers.
Here’s the link:
https://helpx.adobe.com/indesign/how-to/ebook-fixed-layout.html
I have self-published a lot of PDFs on my website, because the layouts remain fixed.
June 25, 2014 at 8:28 am
annepeterson
I’ve heard InDesign is a good program.
Not able to do that right now as I’m sure it is costly, but it sure sounds like something I need to look into. With an artistic daughter and my desire to get these stories out of me, it seems like a good route.